Paintings of Vincent Van Goh and Paul Cezanne Free Essay Example, 2000 words

â€Å"The Rocks†, as well as â€Å"Bottom of the Ravine†, after initial viewing, both appear to be of landscapes. They each have the same attributes within them than one would connect with being a visual look at a landscape environment, or an environment which is found outdoors. By saying environment, it gives the viewer the visual picture, even without seeing the image(s) itself, of something that has greenery, rocks, and sky to it. Overall, both chose an environmental, outdoorsy, type of theme for their respective works. They compare with having the essential aspects found in a landscape laid out on the canvas. Any sort of difference would be subtle in nature due to the fact that, to the naked eye, they both appear to be thematically attempting the same concept. Both take on the theme of nature and all of its glory, with the rich greenery that applies to the natural world. An Artists ability to achieve composition in their work is instrumental in their work of achieving the desired effect. The first thing to contrast between the two as it comes to composition is the use of technique in painting both. We will write a custom essay sample on Paintings of Vincent Van Goh and Paul Cezanne or any topic specifically for you Only $17.96 $11.86/pageorder now While â€Å"The Rocks† appears to have more forced brush stroked to it as seen by the texture of the paint as it appears in the canvas, â€Å"The Ravine† itself has no visible force applied as it comes to the paint and in the end almost appears to be a photograph. Someone could very easily assume that it was a photograph if had not have been for the direct labeling that it was in fact â€Å"Bottom of the Ravine† created by Paul Cezanne. Both do have a tree that is in the central forefront of the visual intent with the tree having a surrounding environment that is primarily comprised of rocks. With that in mind, â€Å"The Rocks†, as Van Goh composed it, appears to have a single tree that’s surroundings include more greenery at its base, as well as a sky that gives the sense of being overcast through the shades of white paint that are meant to symbolize heavy cloud cover. â€Å"Bottom of the Ravine† takes a d ifferent visual approach than its counterpart. While it does in fact have a central tree within its primary eye line, as well as the emphasis of a rock filled surrounding, the usage of green in background along the rocks gives a sense of other trees lining the rocky mountainside and not the alternative of being a grass like plan structure or some other kind of shrub. Despite that, both are works that fall within the classification of nature pieces, but are clearly two individual interpretations of how the outside majesty of nature looks to them as they see it through their own eyes.